![]() ![]() The monies earned from his session work for Foreigner allowed him to finance The Golden Age of Wireless, and the 4 album credit brought him greater notice. Dolby's synthesizer work gave the album a polished sheen, especially his Brian Eno–like ambient synth intro to " Waiting for a Girl Like You". Producer Mutt Lange requested him on the strength of a demo tape Dolby had given to Zomba Publishing, a firm with Lange serving as a partner. ![]() A Futurist Rundgren perhaps?" None of these songs were announced as singles for an upcoming album, but they later appeared on some editions of Golden Age of Wireless.ĭuring April–May 1981, Dolby stayed in New York to join the album project 4 by Foreigner. Sounds magazine reviewed "Urges" positively, calling Dolby a "new romantic. Under the imprint of London-based Armageddon Records, the single was co-produced by Andy Partridge of XTC, who also played percussion on the track. In response to friends urging him to put out a single, Dolby released his first 45 rpm 7-inch single, "Urges" backed with "Leipzig", on 18 February 1981. Preceding the album, Dolby allowed a demo of "Airwaves" to be included on a collection titled From Brussels with Love, published in December 1980 by Belgian label Les Disques Du Crépuscule. Originally released in May 1982, the album was reissued in a number of different configurations, with later resequencings including the pop hit " She Blinded Me with Science". Guido Orlando – Chilean translations, distress, Grace (track 6)Īndy Partridge – harmonica (track 4), percussion (“Urges”)ĭr.The Golden Age of Wireless is the debut album by English musician Thomas Dolby. Lene Lovich – backing vocals (tracks 3, 9), mantra (“Radio Silence (Guitar Version)”) Simon Lloyd – leadline bass, flute (track 5) Mutt Lange – backing vocals (“She Blinded Me With Science”) Simon House – violin (“She Blinded Me With Science”) Justin Hildreth – backwards percussion (track 1), drums (tracks 2–4, 6, 7, 9 “Radio Silence (Guitar Version)”) Mark Heyward-Chaplin – bass guitar (tracks 2–4, 6, 7, 9) Lesley Fairbairn – backing vocals (tracks 1, 3, 9) Judy Evans – backing vocals (tracks 3, 9) Les Chappell – backing vocals (tracks 3, 4, 9) Kevin Armstrong – guitar (tracks 1, 4, 6, 7, 9 “Radio Silence (Guitar Version)”, “She Blinded Me With Science”, “One of Our Submarines”), backing vocals (“One of Our Submarines”)ĭave Birch – guitar (track 1), monk voice (track 3), backing vocals (“Radio Silence (Guitar Version)”)īosco – percussion (“Radio Silence (Guitar Version)”) James Allen – backing vocals (tracks 3, 9) Thomas Dolby – vocals, drum programs (tracks 1, 5, 8 “She Blinded Me With Science”, “One of Our Submarines”), piano (tracks 1, 3, 6, 7, 9), wave computer (tracks 1, 3–5, 8, 9 “She Blinded Me With Science”, “One of Our Submarines”), synthesizer (tracks 2–4, 7 “Leipzig”, “Urges”, “Radio Silence (Guitar Version)”), monk voice (track 3), backing vocals (tracks 3, 4, 6, 7, 9 “Radio Silence (Guitar Version)”), electronic percussion (track 4), kalimba (track 6) “She Blinded Me with Science (Extended Version)” 5:09. ![]() Originally released in May 1982, the album was reissued in a number of different configurations, with later resequencings including the pop hit “She Blinded Me with Science”. The Golden Age of Wireless is the debut album by English musician Thomas Dolby. ![]()
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